Good design makes for a sensational strategy
There is no doubt that Russell Leonce, the vintage clothes loving minister with a hip, urban look and a John Legend-ish type voice has the right mix of talent, astuteness (his management says they are not looking for a record label but a distribution deal) and sex appeal (dare I say that, he is a minister after all) to take his neo soul gospel album, the Culture of Love, to a place where no Trini songwriter/ vocalist has gone before.
At the Corner Bar, a funky drinking spot on
Leonce’s album is impressive. And so too is the album’s design and packaging, so outstanding in fact, that after the crooner’s session I did not go in search of the man of the moment, but after Christophe Pierre, the Trini-born, British-based graphic designer responsible for the look and branding of the Culture of Love.
Go to any music store this week, you’ll see that the Culture of Love does not stand out, it fits snugly in design-wise with all the other big name, big buck, internationally produced music gracing the shelves. This makes the look and feel of the album very competitive.
It is clear that
Clearly
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